All in Sculpture
Born in Carrara on 14/09/1969, he attended the 'Accademia Albertina in Turin two years and is graduated at Accademia di Belle Arti in Carrara. He is specialized in techniques of marble and practiced in sculpture art studios that realise copies of classical and contemporary works, host and collaborate with internationally renowned artists.
Mario Molins: Sculpted poetry and the sacred bond with the earth
Mario Molins(1983, Binéfar, Huesca, Spain) is a multidisciplinary artist with a restless spirit, whose work is a tangible testament to his deep and inescapable connection with Nature. A Fine Arts graduate from the University of Barcelona with doctoral studies, the essence of his art emerges from a mystic dialogue with his homeland, Binéfar.
In situating Mario Molins within the contemporary art scene, we see his singularity: a sculptor who resists spectacle to insist on ceremony, who resists acceleration to insist on continuity, who resists oblivion to insist on memory. His conviction that sculpture can still be spiritual is translated into forms that privilege wound over perfection, memory over erasure, resilience over fragility. The originality of his practice lies in its refusal of superficiality, insisting instead on the deeper rhythm of ritual and the dialogue with nature.
I am fascinated by nature, which is an infinite source of inspiration for me; it's a bit like a bottomless well… In nature, I admire the organicity of its shapes and structures. Wavy sand by the seashore, mountain peaks on the horizon, or even the texture of tree bark give me creative energy.
I am a traditional native american carver and I come from the Confederated Tribes of Grand Ronde in Oregon. I have been carving for over 20 years. I have only been carving for my tribe and community I do not have pieces anywhere else in the world.
My name is Ambro Louwe. Born and living on the Netherlands. I like to make colorful paintings, different kind of sculptures and “wallscapes”. Nature and human emotions are my inspirations resulting in in a combination of abstraction and dynamic forms. I like to work in variety of materials and techniques.
"Art is the language I use to bridge past and future, tradition and innovation. My work explores human connection—through mixed media, painting, digital art, and iron sculptures. Each piece is an attempt to capture fleeting emotions, relationships, and untold stories, transforming them into something tangible and enduring
"Taking inspiration from the figure of the apple and using its shape as a constructive basis, I then modified the aesthetics of each of the proposed apples, obtaining a sort of colorful portrait of a society with a common morphology and a different culture, my intent is that everyone can accept their own uniqueness" In my sculptural work, the apple symbolizes self-acceptance and the uniqueness of each individual.
Art can penetrate deeply into one’s mind, generating different opinions and understanding. My main objective is always to create something meaningful and beautiful, a piece of art that can inspire, bring happiness, and at the same time, positively captivate the public’s attention.
The choice of materials in Caroline’s oeuvre is as eclectic as the symbols she employs. From natural resin to clay, flax to artificial resin, wool to lead, plaster to glass, and bronze to stone — her palette encompasses a diverse array. The seemingly incompatible nature of these materials captivates the viewer. Their contrasting properties create a visual tension that resonates in the overall ambiance of her work.
Dunham is a process-based artist creating 3-dimensional material studies/sketches primarily composed of basic geometric shapes and lines through accumulation. Each study is assigned a numerical title that documents the process and materials used. Her hope is to challenge viewers to pause and appreciate the transformative powers of the creative process and to call attention to the essentially ordinary origins of even the most extraordinary works of art.
My specificity as a sculptor lies in my main tool: the manual plasma cutter. Well-known in the industrial world, it is much rarer in the artistic realm. With it, I cut through thick steel plates, transforming fragments of this heavy material into delicate lace.
Vasile Stefanoiu, a Romanian sculptor, believes art must convey a message and sees sculpture as a restorative force. He creates sustainable circular art using recycled and reused resources. In some of his sculptures, he brings back legends from Greek mythology and places them in different contexts, to create a new way of seeing in modern times.
A Graphic Designer and Artist living in Co.Kerry, Ireland. She's inspired by the natural sunlight, vivid colors found in nature and fluids. Her works are a visual celebration of human nature and life. Most of her abstract paintings are inspired by liquids, mainly water in oceans and rivers. They bring back vibrant memories from her childhood
Mario Molins (1983, Binéfar, Huesca, Spain), holds a degree in Fine Arts from the University of Barcelona, along with doctoral studies. He is a multidisciplinary artist with an inquisitive spirit and a deep connection to Nature. His extensive exhibition career, along with multiple mentions and awards, includes the 2016 recognition by the Association of Art Critics of Aragón as the best Aragonese artist under 35 years old.
At the core of Ferry Benjamin’s practice is his mastery of the manual plasma cutter. This industrial tool, traditionally reserved for heavy manufacturing, becomes in his hands an instrument of sublime precision and expression. Benjamin cuts through dense steel with the dexterity of a painter wielding a fine brush, transforming the unyielding material into intricate lattices that mimic organic forms. The result is a body of work that blurs the line between the natural and the industrial.
In the vivid, scintillating world of Lynn Movish’s art, each vintage lunchbox transformed into a bedazzled art piece is not just a container but a portal to a fantastical universe. Her collection, featuring repurposed metal lunchboxes intricately adorned with Austrian crystals, presents a unique intersection of nostalgia, luxury, and imaginative expression, positioning Movish as a visionary in the fusion of art and fashion.
Sculpture is my most common form of expression, but I consider myself a multifunctional artist. In many cases I describe life with deep emotions. Depending on the moment and state of the creative process, I always play intuitively with spontaneity. Also for me, the line transmuted into wire is the personal representation of my ideas and thoughts. A line that, curving, twisting and undulating, seeks to find its own space from the inside. These lines suggestive power transmits moods, thus building a personal language.
“I became aware that I have a responsibility for what I release into the world around me. Artists used to be educators. My desire is to take a step back to a time when art was subservient to its spiritual and pedagogical purpose.”
For me it is natural to see ‘things’ in nature, in a stone, in a dry or burnt tree and then give it form and soul. For me it is normal to spend hours in my forest creating new installations, or tending to the present ones, subjected to the inclement weather, and it is easy to explain the motto chosen at the beginning of the artistic path created in my garden, which, taken from an opera by Verdi, says; ‘it is either a joke or madness’.
