Artist Spotlight - Vian Borchert

Vian Borchert is an acclaimed artist known for her abstract expressionist style characterized by a poetic take. Borchert has exhibited for many years in numerous exhibitions in both group and solo shows worldwide. Vian is a graduate and “Notable Alumni” from the Corcoran College of Art and Design George Washington University, Washington, DC. Borchert serves as the Art Lead for the Oxford Public Philosophy Journal, based at Oxford University, UK.

Artist Spotlight - Neo Rauch

Neo Rauch's paintings are characterized by a unique combination of realism and surrealist abstraction. In many of his compositions, human figures engaged in manual labor or indeterminable tasks work against backdrops of mundane architecture, industrial settings, or bizarre and often barren landscapes.

Artist Spotlight - Toyin Ojin Odutola

Toyin Ojin Odutola was born in Ile-Ife, Nigeria in 1985, and later moved with her family to Alabama. In 2007 she was selected to attend the Norfolk Summer Residency for Music and Art at Yale University and continued her studies at the University of Alabama in Huntsville. She then earned her master’s degree in Painting and Drawing at the California College of the Arts in San Francisco in 2012. She currently lives and works in New York.

Guy Yanai

Israeli oil painter Guy Yanai captures peaceful moments featuring architecture and plants. Often merging indoor and outdoor perspectives, Yanai presents placid scenes devoid of human figures. Instead, scraggly houseplants and open doors and windows act as visual focal points, suggesting the presence of human life that may have potted the plant or propped open the door.

Alisa Chernova

Alisa Chernova enters the contemporary art scene not as a painter alone but as a psychotherapist turned artist, who has transformed the consulting room into the canvas. Few artists embody with such clarity the conviction that painting may serve as a visual laboratory for human subjectivity, where the fragmentary self can be staged, tested, and reconstituted. Her background as a Gestalt therapist infuses every brushstroke with the weight of psychological encounter: each canvas is not a representation but a session, not a depiction but a dialogue.

Mario Molins

In situating Mario Molins within the contemporary art scene, we see his singularity: a sculptor who resists spectacle to insist on ceremony, who resists acceleration to insist on continuity, who resists oblivion to insist on memory. His conviction that sculpture can still be spiritual is translated into forms that privilege wound over perfection, memory over erasure, resilience over fragility. The originality of his practice lies in its refusal of superficiality, insisting instead on the deeper rhythm of ritual and the dialogue with nature.

Tatyana Palchuk

Tatyana Palchuk stands today as one of the most significant European Baltic painters of her generation. Her career, built on discipline, independence, and vision, has produced works of extraordinary technical mastery and philosophical depth. Whether depicting the warmth of family, the grandeur of the sea, the play of musicians, or the liveliness of still life, she has given us images that will endure. In her canvases, one feels the echo of Renaissance balance, the stillness of Vermeer, and the poetry of Chagall, but above all, one feels the unmistakable presence of her own voice: clear, warm, and profoundly human.

Lone Bech

In Bech’s portraits, we see more than individuals. We see humanity itself, fractured and whole, fragile and enduring, luminous and shadowed. We see the persistence of the human face as the mirror of history and the vessel of meaning. And in seeing, we are reminded that art’s highest purpose is not only to represent but to reveal.

Carol Wates

It is perhaps not an exaggeration to say that Carol Wates’s art is a turning point in the history of drawing. She demonstrates that the discipline can survive the transition from paper to pixel without loss but with gain, gain in speed, in luminosity, in immediacy. Her art is not merely a continuation of drawing but its renewal. In this, she stands as one of the most important visual artists of her generation, ensuring that drawing, that most ancient of practices, continues to live in the present tense.

Patrick Egger

Patrick Egger is, quite simply, one of the most important painters of our time. His works, whether of the Drus, the Cervin, the Creux du Van, or the quiet marshlands of autumn, extend a lineage that stretches from Friedrich to Turner to the Barbizon school, while remaining unmistakably contemporary. They are acts of devotion to nature, to perception, and to the possibility of emotion in painting.

IRIS Fluidism

IRIS, the Romanian born and Austrian based artist, has created such a language. Her invention of Fluidism is not merely a stylistic innovation but a profound philosophical system, a visual and spiritual poetics that binds the act of art making to the elemental principle of water. Her works, resplendent with the seven colors of the rainbow and their infinite interminglings, do not simply depict bodies, animals, landscapes, or faces, they articulate the very liquidity of existence.

Margaretha Gubernale

Margaretha Gubernale has pursued, with unwavering determination, an artistic vision that resists compromise. Born in Zug, Switzerland, in 1941, Gubernale has forged a path that not only defends the figurative imagination but also elevates it into a symbolic-narrative cosmology of extraordinary depth. Her paintings oil on canvas, carefully crafted with luminous fields of blue and intricate figural arrangements stage a theatre of metaphysical inquiry.

Standa

Standa’s position within the international art scene should be regarded as essential. He represents the survival of modernism’s experimental drive, infused with the subjectivity of an émigré who has lived across geographies and cultures. In this sense, his career recalls that of great visionaries such as Paul Klee or Antoni Tàpies, figures who made abstraction into a form of ethical reflection. His paintings matter because they remind us that to create is also to care, to imagine is also to heal, and to look is also to remember.

Emela Brace Nomolos

There are artists who paint beauty. There are artists who craft worlds. And then, there are artists like Emela Brace Nomolos, who summon codes from the cosmos and deliver them to humanity as transmissions, not canvases. To review Nomolos’s oeuvre is to engage with a body of work that transcends art as we know it; it is to encounter a visual and spiritual philosophy, a sacred practice, and, ultimately, a radical invitation to remember.