All in Sculpture
Arimathea Pappas is a name that will resonate deeply in the contemporary art world, a contemporary mixed media artist whose work transcends the physical realm into a space where nature, spirituality, and human consciousness merge. Her pieces, as seen in the collection presented, invite viewers into a visceral, almost primal connection with the land and spiritual traditions of the First Nations. This is not just art; it is a communion between earth, material, and soul.
I feel myself change as I look at an object of beauty. It has calmed me from childhood, the blue shadows on the snow, and the sparkling raindrops on leaves. The late great Canadian encaustic painter, Tony Scherman, said that you know it’s beauty because there’s pain in it. This is my experience also. Sometimes, you can’t look away. My only explanation is that it is something divine.
Ali Rouse's artistic creations are a profound reflection on the concepts of animism, shamanism, and the eternal cycle of life, death, and rebirth. Her work presents an awe-inspiring symbiosis between animal remains and ornate craftsmanship, giving new life to what was once part of the wild. Each piece is a tribute to the spirit of the animal and the materials sourced from nature, interweaving them into a complex narrative of existence, transformation, and permanence.
GUIL works mainly in the field of public sculpture and installation in outdoor spaces. He has a predilection for abstract emotional geometry. He is inspired by nature itself, which he explores mathematically and transforms it with the desire to subvert its apparent forms, those of the human imagination, and the notion of proportion in sculpture. It belongs to the avant-garde of the second half of the 20th century in Andalusia. He has received numerous awards in national and international art competitions for Public Sculpture and Singular Architecture.
Marian Sava’s sculptural works are a modern homage to the silent yet profound dialogue between material and immaterial realms. His sculptures are not just forms chiseled into existence; they are the culmination of invisible vibrations made tangible, serving as indestructible witnesses to the powerful emotions and intense feelings that encapsulate the human experience.
Your artistic credo suggests a deep belief in the communicative power of art. Can you share an instance where you felt your work deeply connected with an audience, effectively conveying its intended message?
My sculptures do not hide anything, the message is all the easier to receive as the viewer intuits the greatness of Greek mythology and the digital pulse of the new era, having the revelation of the lasting dialogue between classic and modern, static and dynamic, and corporeal and abstract from my sculptures.
We are proud to present our First Printed Issue 1
"Top Contemporary Artists to Watch in 2024."
This curated publication showcases a carefully selected group of artists whose visionary work promises to define and influence the World's Contemporary art scene in 2024.
Dina Torrans' sculptures emerge as profound statements within the contemporary art world, a unique amalgamation of material mastery and conceptual depth. Her work transcends the traditional boundaries of sculpture, embracing an environmental and philosophical narrative that is both urgent and timeless. Torrans has carved out a space that is distinctly her own, where the tactile nature of sculpture meets the intangible qualities of human experience.
Your work blurs the lines between art, architecture, craft, and design. How do you navigate these overlapping domains in your creative process?
For me, the artificial separation of art, architecture, craft and design does not exist. My work includes objects from functional vessel to abstract sculpture, from the tiny to the 3 tonne steel sculpture, from the curious to the spiritual. I let myself drift by following my artistic intention and sometimes create a work of art that is also suitable for everyday use, or a design object with artistic properties. That's why it's sometimes difficult to categorise them clearly.
Timothy Carter's oeuvre in the realm of sculpture emerges as a contemporary homage to the ethos of minimalism and the long-standing tradition of monumental sculpture. His works, characterized by their monumental scale and the bold use of industrial materials, assert a presence that is both unyielding and evocative. The use of steel not only references the modernist fascination with industrialism but also imbues his sculptures with a sense of timelessness and durability.
In the pantheon of contemporary sculpture, the works of Stefanoiu Vasile stand as a testament to the enduring dialogue between the classical and the modern, the static and the dynamic, and the corporeal and the abstract. Vasile’s sculptures are not mere representations; they are conversations carved in stone and mixed media, bridging myths of old with the digital pulse of the new era.
Derek Morris's mixed media sculptures are a testament to the innovative spirit that contemporary sculpture can embody. With an engaging and harmonious use of color, form, and space, Morris's works offer a refreshing and energetic perspective on the medium.
Elena Shuppo's artistic oeuvre enchants the viewer with its profound investigation of form and color, as exquisitely showcased in the mesmerizing series of images presented. The artist's creations possess a remarkable architectural quality, characterized by the enchanting utilization of geometric forms that transcend the confines of their two-dimensional canvas, seemingly reaching into the realm of three-dimensionality. The seamless fusion of architectural elements and artistic expression in Shuppo's work serves as a profound testament to the artist's remarkable talent for reshaping both physical spaces and our very perceptions.
We are thrilled to announce our new Online Exhibition, "Parallel Worlds." On view till January 20, 2024.
How did your experience as an actor, particularly your time at Shakespeare's Globe and Broadway, influence your approach to sculpting?
As an actor I was always interested in the inner world of the characters I played. My Swan Song was playing Malvolio in Twelfth Night, again on Broadway in 2014. I worked very hard to ‘get into his shoes’ and felt, most of all, his vulnerability whilst he presented such a stern image to the world. So many characters I played were dealing with Loss, Separation and Attachment. All this influenced my work as a sculptor. All the World’s a Stage and the figures that have emerged over the years have all come with their stories. They do not need a Theatrical Stage as such but certainly exist in the invisible contexts of their lives. They ask to be seen like an actor.
Where do you see the intersection of psychoanalysis and art therapy heading in the future? Are there emerging trends or areas of research that you find particularly exciting or important?
As part of the Steering Committee of the NeuroPsych study group at the National Psychological Association for Psychoanalysis, I have been actively involved in disseminating these concepts within the broader psychoanalytic community. Both the psychoanalytic community and field of art therapy, have benefitted by having new insight into the use of expressive art and nonverbal communication in therapeutic settings. We have been given renewed validation from the scientific community and now have terminology to describe what we have been intuitively using, without a clear voice.
I'm the 3r I d child out of five. Our parents have been emotionally challenged as we almost all brought along a period of worries. I myself for example got seriously stuck at birth and had an accident at the age of 9 through which I got into a coma. I came out of it three weeks later and had to learn how to speak and walk again. I don't know which of the two situations made that I could not be a great student such as my brothers and sisters. I was smart, but to slow to keep up with the standards of others.
Contemporary Art Curator Magazine is proud to present the Artist of the Future Award!
Humour and play are integral in the life and art of Joi Murugavell-- a lesson she learned from her father as an elixir to life’s absurdities. Behind the laughs lies a desperate desire to understand her world - away from the influences of family, friends and culture. Like a string in a maze, her art is the process by which she navigates the layers she’s acquired along the way.
The Hopper Prize has a strong history of supporting contemporary visual artists through their biannual artist grant program. This is a great program that provides unrestricted financial support to working artists of all backgrounds and disciplines. In the Spring and Fall, 5 artists each receive awards, for a total of 10 grants per year. On top of this, support is extended to an additional 30 artists per cycle who are selected for a shortlist.
