Flo Dinis Klopries is a female interdisciplinary contemporary artist born in Porto, Portugal, and currently living and working at the french/german border.
All in Interview
Flo Dinis Klopries is a female interdisciplinary contemporary artist born in Porto, Portugal, and currently living and working at the french/german border.
Cheraine Collette is an internationally recognized Dutch artist known for her ethereal photographic paintings that merge reality with imagination.
Carol Wates is a British artist who creates iPad pictures using the Brushes app. Carol trained at the Chelsea University of Art.
The artist Fotini Pappa was born in Kamarina, Prevezis. She paints to express her feelings, the silent words of her soul that find a way out and become an image.
I paint when inspiration strikes, when I feel energy in my hands. The stronger the energy, the deeper the works I paint.
IRIS Fluidism marks the defining moment of my artistic practice. At its core, it celebrates fluidity—the principle that shapes life, perception, and society.
Romy’s knowledge and photography expertise continually advance through her independent, self-directed learning.
Art can achieve the goal of a rethinking interval if it integrates itself as much as possible into nature, where it can find peace.
My work, particularly the installation ‘’The Red Bags’’ showcases the transformation of discarded and recycled materials into powerful statements on fragility, resilience and hope.
My happiness and my fulfillment are to share my passion, my love of life, the universe, the colors, the light and my multiple emotions with others through my work.
I believe art represents the highest form of human expression. It captures what words alone cannot hold: the essence of our experiences, dreams, and emotions.
In Rivismo, the threshold at which lived experience becomes a pictorial gesture does not appear to be a blurred or accidental boundary, but rather a deliberately explored space where awareness is heightened.
My painting is less an act of depiction than one of discovery — an inquiry shaped by a life lived between scientific research and visual art.
Part of my artistic practice involves the tradition of using multiples to form or create art. Where I combine several of the same item to make a cohesive piece.
Lynne Douglas is a Scottish-based photographic artist working from the Isle of Skye and the outer Hebrides, internationally recognised for her atmospheric photography and large-format seascapes.
At the core of my work is a deep sense of feeling, big dreams, and bold expression shaped by the northern landscape and lived life. For me, this hybridity is not primarily a visual strategy but a way of thinking and being in the world. It reflects the tension in which we live.
At heart, both my therapy and collage work emerge from the same impulse, a passion for uplifting the human experience. That impulse has evolved from providing a listening space, to my collages now offering a visual space for reflection. The aesthetic form, my collage, holds space for others’ emotions, as I once held space in therapy.
For me, drawing a line is akin to breath meditation. The process of reaching inner stillness closely parallels my creative practice. The tension and shifting emotions generated by short and long breaths condense into images—unspoken states of sorrow, solitude, or even joy. Rather than constructing form through line, I seek to record the places where thought and emotion briefly came to rest.
When I allow initial paint strokes to show themselves until an idea emerges, it's not an oscillation between intention and recognition. It's just a starting framework for a painting.
Monica Norum is a contemporary painter whose work explores painting as a site of presence, connection, and emotional resonance. Moving fluidly between abstraction and figuration, her paintings emerge through layered processes of intuition, revision, and material dialogue. Rather than illustrating fixed narratives, Norum creates open visual spaces where memory, vulnerability, and shared human experience can unfold. Her practice positions painting as both a perceptual and ethical act—one that invites slow looking, embodied attention, and relational engagement across cultural contexts.