As an artist, I play with colors to suggest sadness, contemplation, or a state of mind. I make suggestions, and people are free to feel whatever they want to feel.
All in Photography
As an artist, I play with colors to suggest sadness, contemplation, or a state of mind. I make suggestions, and people are free to feel whatever they want to feel.
My work is driven by a fascination with silence, atmosphere, and the emotional weight carried by ordinary places and everyday moments.
Each image constitutes an autonomous universe telling a story that includes many readings. The human element is somehow always present, even when all it has left is its suggestive imprint.
My works focus on Japanese wild birds and nature. It captures the flapping of wild birds' wings and the dream of flying freely into the sky.
My journey with photography began at seventeen — a passion I pursued intensively for years, working with roll film and spending countless hours in the darkroom.
I have been drawing, painting and photographing for over 50 years. In recent years, there has been a lot of digital graphics as well.
Adamo Macri, a Montreal-based artist, takes a unique approach to art, incorporating elements of sculpture, photography, painting, and drawing into his work.
Cheraine Collette is an internationally recognized Dutch artist known for her ethereal photographic paintings that merge reality with imagination.
Romy’s knowledge and photography expertise continually advance through her independent, self-directed learning.
Sandy Coburn’s photographs do more than present beautiful scenes. They cultivate a mode of seeing that is patient, attentive, and open to discovery.
Lynne Douglas is a Scottish-based photographic artist working from the Isle of Skye and the outer Hebrides, internationally recognised for her atmospheric photography and large-format seascapes.
Nigel Ryan is a London based photographic artist whose work explores atmosphere, time, and the experience of place. Working primarily with in camera techniques, including multi exposure and long exposure, he creates images that sit between documentation and abstraction.
I explore the reality that surrounds me, its materialization, its duality, the ambivalent and yes, the beautiful. Escaping from the Universe of the obvious is not easy, but I intensely try. The complex, the dark, the brilliant, the hidden, the unknown, the plastic, the feminine, the abstract, captivate me, and keep me, to some extent, prisoner.
Entering Vinci Weng’s recent work feels less like arriving at an image than like stepping into a constructed situation that is already underway. The first sensation is not simply visual plenitude, though plenitude is everywhere, but a peculiar certainty that what one is seeing has been staged into existence with the deliberation of cinema and the density of painting. Weng’s pictures do not present themselves as windows, nor as documents, nor as the familiar persuasion of photographic immediacy. They behave instead as tableaux with rules, as fictional worlds whose internal physics are established through scale, depth, and chromatic climate.
My practice is based on the premise that photography does not end at the final curtain, but rather begins there. By using post-production tools such as a palette and brush, I shift the focus from photographic representation to artistic creation.
Stefano Paradiso is a photographer and director of photography born in Rome in 1969. Graduated from the R. Rossellini School of Cinematography and Photography in 1988, he works as a director of photography and camera operator in cinema and advertising, boasting numerous collaborations with well-known Italian directors, French and American; for television he has made documentaries and reportages in various countries of the world.
For me, making marks is the initial objective. Finding images that speak to me in an intuitive and expressive manner remains the goal each time I work. I think of myself as a painter first with no constraints. However, I also find working in 3D to be just as satisfying as painting or drawing. After years of creating work, I still find the beginning of a piece to be as exciting as I remember my first efforts.
One image – one mission. What does my image have to do with Francis of Assisi (Francis of Assisi is considered the patron saint of animals, the environment, and ecology. In the prayer “Canticle of the Sun,” which the saint wrote in the 13th century, he described animals as brothers and sisters of humans and expressed gratitude to nature, its phenomena, and wonders.) with my picture or series of pictures? 800 years! On the 800th (this year-2026) anniversary of his death, my picture was chosen as the cover for a book entitled “Animal Worlds of Art.”
Howard Harris is a Techspressionist artist who has long been fascinated by visual perception and design. The Denver, Colorado, USA native earned a BFA from Kansas City Art Institute and a MID (Masters Industrial Design) from Pratt Institute in New York, studying with internationally renowned design theorist Rowena Reed Kostellow.
Samantha Louise Emery is an interdisciplinary artist from England and Canada living in Türkiye. Emery’s exploration of humanity’s complex interconnection within the biodiversity of life has been aided by her residence in these countries. She visually maps these networks through conceptual abstract paintings and her practice of combining self portrait photography, hand and machine embroidery with hand sewn sequins and beads, and paintwork onto canvas.