All in Painting

Victor Varela

Painting as a vision intends a dematerialization of painting itself by an intentional setback of perception that problematizes the experience of seeing. What painting sees, as much as what it allows to be seen, comprises the minimum unit of the image as its maximum consequence.

Alexandre Coxo

Alexandre Coxo is a young Portuguese artist who produces his paintings in two extremes: the natural, in the figurative elements; the artificial, by the logical mathematical speech. In this way, it seeks to develop images that somehow we already know and, simultaneously, do not know where or when.

Paul Hartel

Hartel, from New York, spent his early years there in Buffalo, Jackson Heights, Manhattan, and the Bronx, and has lived and worked in New Jersey, Waterford Ireland, Saint Martin French West Indies, Netherlands Antilles, Washington DC, West Virginia, and now in Sligo Ireland.

Karin Monschauer

Karin Monschauer creates worlds full of shapes and colors with computer graphics software. Her Digital Art creates abstractions of infinite interpretations. The embroidery technique has always fascinated her, allowing to externalize the connection and the interweaving of colors and shapes.

Monica Tap

In her work, Monica Tap uses landscape to consider questions of time and history, technology and memory. Her paintings are arrangements assembled from various fragments: outtakes from painting’s history, elements from her own snapshots, colour notes, memory.

Hopper Prize: Great Opportunity for Artist Grants

The Hopper Prize is a granting agency, digital arts platform, and contemporary arts journal that supports individual artists around the world with grants in the amount of $1,000.00.  Twice per year, during Spring and Fall, The Hopper Prize accepts submissions from artists globally, working in any and all media. During each grant cycle, 5 artists are awarded unrestricted grants. The Hopper Prize welcomes submissions from artists residing internationally, with no restrictions on media, genre, or subject matter. 

Interview with Lee Shin

Through the years, Lee Shin  paintings have been the reflection of her life and passion, covering topics of love, desire, the beauty of men, gender and its power dynamics, solitude, sadness, desperation, and sometimes just of her clowder of cats. She has participated, both domestically and internationally, in diverse individual and collective expositions, in cities such as Taipei, Fukuoka, Busan, Hong Kong, Shanghai, New York, and Venice. She is also an active artist at Tai Hwa Pottery, where she designs and paints various potteries.