Paul Hartel
Biography
Originally from New York, I now live in Sligo Ireland. I paint with mixed media including oils, acrylics, oil pastels and charcoal, in figurative, abstract, and neo-expressionist styles, with influences that include DeKooning, Mitchel, Kline, Twombly, and Wool. I’ve exhibited and enjoyed representation by art galleries in New York City, Los Angeles, and Ireland with works currently in residence at Green Gallery, Dublin, Ireland.
Artist Statement
I think of my work as celebrating the spirit of the ‘inner child’ through improvisational energy, retained in strokes, lines, and colours. I strive to create a visual immediacy that may be combatively intense, keeping the viewer’s eye in perpetual motion. I like to conceptualize my work as a bridge between fantasy and abstract reality that challenges our thoughts, perceptions, follies, and wits.
What first prompted you to think of becoming an artist?
I’ve always engaged with the fine arts, and drew cartoons as a kid. I was really impressed with abstract expressionism and particularly the work of Willem De Kooning. So, in 2009, I decided to “give it a go” at painting.
What kind of an artist do you ultimately see yourself?
I suppose in contrast to some art critics, I believe “art for art’s sake” and individual expression is legitimate. I don’t think an artist necessarily must have a conceptual commentary on socio-political issues. I like to create abstract and neo-expressionist paintings that are bold and colourful, perhaps somewhat complex, to give the viewer something to contemplate and visually digest with a careful and close examination.
What are you hoping to communicate to the viewer through your work?
I often think of my work as a reflection of “the inner child” that I believe we all maintain in some capacity. Spontaneity, visceral energy and emotion, and a rawness of action is what I try to obtain to really grab the viewer’s attention.
Can you explain the process of creating your work?
Certainly, I need to be in the right headspace which is when things work best. I often randomly draw or paint on canvas and create an image as it develops, as I see certain patterns or shapes emerging. Colour balance is also key. If I’m having fun then I know it’ll work!
What is your favourite part of the creative process?
Spontaneity is important to me. It retains a genuineness that I think is apparent in the strokes, lines and forms of work. Too much planning or hesitation dilutes that for me.
Can you give us an insight into current projects and inspiration, or what we can look forward to from you in the near future?
I had a recent collective exhibit in Milan at MADS Milano called Romantica, which was the first digital, interactive exhibit I’ve seen. I’ve a few works in residence at Green Gallery, Dublin, Ireland. I’ve done a few art magazines and online exhibits, but I hope to exhibit in person in NYC again soon. I am envisaging a large-scale painting project called “Wall of Heads” that touches on both individuality and diversity and explores what might be conceived as “unconventional beauty.”
Website hartelart.com
Instagram phartel16
Looking Out _oil on canvas_20x16in
Chasm_mixed media on canvas_20x16in
Testimony_oil on canvas_36x24in
Reclaim Your Life_oil, acrylic, oil pastels on board_14x36in.
Blue Memories_oil on board_14x18in
New Renaissance_oil on canvas_20x36in
