Giora Carmi

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In the world of contemporary art, few figures are as compelling as Giora Carmi, whose vibrant, unbounded compositions pulsate with life's profundities and simplicities. Born in 1944 in Israel, Carmi's journey through personal and global landscapes has culminated in an art form that transcends traditional boundaries, offering viewers an immersive experience into the spiritual and visceral realms of existence.

Carmi's formative years in the small village of Kfar Malal shaped his early perceptions, grounded in the earthy tones of a life close to nature yet shadowed by the loss of his father during Israel’s War of Independence. This early confrontation with mortality perhaps first introduced him to the existential queries that later define his work. With an artistic and emotional heritage thus laden, Carmi's oeuvre is a testament to resilience and exploration, stretching from graphic design at the prestigious Bezalel Academy in Jerusalem to deep philosophical investigations through Zen Buddhism and art therapy.

The artwork of Giora Carmi is not merely seen; it is felt. His use of color and form—erratic yet harmonious, chaotic yet serene—echoes the dichotomies of human experience. His brushwork, liberated from the constraints of figurative accuracy, invites a form of visual wandering that encourages the mind to drift between the lines, to find meaning in the abstract. This freedom is reflective of Carmi’s own life, a journey through various vocations and avocations—from a distinguished career as a graphic designer and illustrator in both Israel and the United States, including work for high-profile publications like The New York Times and The Wall Street Journal, to his impactful roles as an educator and art therapist.

What is particularly striking about Carmi’s style is its foundational basis in his ability to “read” art, a unique approach developed further through his art therapy practices. His paintings, often devoid of predetermined intent, evolve on the canvas as complex dialogues between his subconscious and the medium. This technique—born out of his spiritual and therapeutic insights—is evident in the intricate, layered watercolors that characterize his recent works. These paintings are visual poems; each stroke and color choice is a word, each composition a stanza of deeper dialogue with the self.

Carmi's commitment to the integration of life’s spiritual dimensions with creative expression was greatly influenced by his 12-year study with the late Chinese Zen master Shen-yen. This spiritual mentorship infused his artworks with a profound sense of presence, an ability to capture the ephemeral and make tangible the intangible. This is art that does not shy away from the complexities of emotion and thought, but rather embraces them, weaving them into the fabric of its expression.

In his latest phase, residing in New York City with his partner Anita Gold, Carmi continues to evolve his practice, seamlessly blending painting with writing prose, poetry, and nonfiction. His recent publications, such as "Who AM I?" and "PAINTINGS that read my mind & POEMS that read my paintings," offer a humorous yet incisive reflection on the self and the creative process. These works are both an invitation and a challenge, prompting the viewer and reader to explore beyond the surface, to engage with the artwork as one would a text, full of symbols and hidden meanings waiting to be deciphered.

Carmi's art is a dialogue of discovery, a canvas of inquiry. Each piece is a microcosm of his life’s trajectory, imbued with the wisdom of his years and the freshness of his continual curiosity. The vivid, often swirling colors capture the dynamic essence of being, while the unpredictable lines and forms break free from conventional expectations. This is the art of letting go, of exploring the unknown, and of celebrating the unpredictable beauty of existence.

As viewers, we are privileged to partake in Carmi’s visual and spiritual journey, where each painting serves as a conduit to our own inner landscapes. Through his creations, we are reminded of the boundless possibilities of interpretation and the profound connections that art can forge between the visible and the invisible, the past and the present, the artist and the audience.

Giora Carmi’s work remains an ever-evolving narrative of human experience, a visual symphony that speaks to the chaotic, beautiful dance of life itself. His art does not simply reflect his journey; it invites us all to find our paths within its hues and strokes. In this sense, Carmi is not just a painter; he is a guide, a philosopher, and a storyteller whose canvas knows no limits.

Giora Carmi's art invites the viewer into a vivid world where each piece speaks volumes through its vibrant use of watercolor, gouache, and pencil on handmade paper. His creations are not just seen; they are felt, weaving a complex narrative of human emotion and nature's whimsy. The series consisting of pieces like "As if light itself," "Doing nothing," "Fire," "Inner wants," "Never looking with his eyes," "Pain," "Pain jazz," "Shine, says the sun," "Thin air," and "You," showcases Carmi's mastery of blending colors with profound philosophical undertones.

Each artwork is a dialogue in abstraction, offering more than just a visual feast; they act as portals to introspection and contemplation. "As if light itself" captures the ephemeral quality of light with a delicate balance of yellows and whites, suggesting both presence and absence, illumination and obscurity. "Doing nothing" challenges the onlooker to find peace and meaning in minimalism, where less is indeed more, and stillness speaks louder than action.

"Fire" blazes with bold reds and oranges, a dynamic representation of destruction and renewal, a phoenix rising from its ashes. In contrast, "Inner wants" whispers of the deeper desires that color our decisions, represented through intertwined hues that suggest complexity and the often unseen forces driving our lives.

"Never looking with his eyes" perhaps speaks to the introspective journey, where the truest seeing does not require eyes but a deeper understanding, mirrored in the overlapping, soft pencils that blur lines and definitions. "Pain" and "Pain jazz" both explore the nuances of discomfort and the rhythm of recovery, each stroke and splash of color building a narrative of struggle and resilience.

"Shine, says the sun" radiates with optimism, its bright palette evoking the relentless hope and warmth of the sun, urging us to bask in its glow and embrace the light even on the darkest days. "Thin air" captures the essence of transience, the delicate, almost imperceptible threads that hold us to moments fleeting and fragile.

"You" is a profound reflection of the self, a vibrant exploration of identity and perception through colors that collide and coalesce in a dance of discovery.

Carmi's technique—watercolor's fluidity, gouache's opacity, and pencil's precision—allows for a dynamic that is both grounding and liberating. His choice of handmade paper adds an organic texture that embraces the natural imperfections, making each piece unique and deeply personal.

Giora Carmi’s series transcends traditional art forms and delves into the spiritual, combining an array of techniques and insights to create artworks that are not only to be seen but to be experienced. Through his masterful use of medium and emotion, Carmi captures the essence of human experiences, translating them into a language of colors and forms that resonate deeply with all who encounter them. Each piece invites the viewer to pause, reflect, and perhaps find a piece of themselves amid the chaos and beauty that is skillfully depicted on Carmi’s canvas.

Giora Carmi’s art style stands as a profound meditation on the human condition, an exploration into the depths of emotional and spiritual landscapes through the eloquent language of color and form. His unique approach transcends conventional visual boundaries, inviting viewers into a narrative that is both universal and intimately personal. Through his adept manipulation of watercolor, gouache, and pencil on handmade paper, Carmi captures the transient, often fleeting states of human emotions and the subtle rhythms of nature, making visible the invisible currents that run through our lives.

Giora Carmi’s artistic expression and philosophical depth can be intriguingly compared to the works of Wassily Kandinsky, a pioneering figure in abstract art. Both artists share a profound connection in their approach to abstraction, using it not merely as a style but as a medium to explore deeper philosophical and emotional landscapes.

Kandinsky, much like Carmi, believed that art should do more than replicate the physical world; it should evoke an emotional response and resonate with the innermost feelings of the viewer. Kandinsky's work was heavily influenced by his interest in spirituality, particularly Theosophy, which posited that genuine art was capable of elevating the human spirit and connecting more directly to the soul. Carmi, through his Zen Buddhism and experiences with art therapy, similarly harnesses the power of art to explore and affect the inner workings of the human psyche, facilitating a profound connection between the artwork and the observer.

What sets Carmi’s artwork apart is its ability to speak without words, to convey messages through abstract expressions that resonate deeply with the viewer's inner self. His art does not simply depict; it evokes, provokes, and invokes. The layers of color and texture are a metaphor for the complexities of life itself—each layer building upon the last, each stroke a memory or a whisper of the soul. His choice of materials—organic, raw, and textured—complements his philosophical outlook, emphasizing the natural, unrefined beauty of imperfection and the authenticity of expression.

Carmi’s paintings are a dialogue with the viewer, a question posed about the nature of existence, the light and darkness within, and the connections that bind us to each other and to the world around us. This dialogue is enriched by his background in Zen philosophy, which informs his artistic process and imbues his works with a sense of mindfulness and presence that is rare and captivating. His technique, a blend of controlled precision and spontaneous fluidity, mirrors the Zen principle of finding harmony in contradiction, of seeking balance amidst chaos.

Carmi’s art serves as a bridge between the visual and the visceral, pulling the observer into a dance of color and emotion that transcends the superficial and touches upon the spiritual. Each piece, whether it whispers of pain, sings of joy, or murmurs secrets in thin air, carries with it a piece of Carmi’s philosophical inquiry into what it means to be human—to feel, to think, to suffer, and to celebrate.

In a world where art often mirrors the complexities of modern life, Giora Carmi’s work is a sanctuary of simplicity and profundity. His paintings are not just seen; they are experienced, felt with the heart and soul, leaving an indelible mark on the viewer. This capacity to connect, to communicate through abstraction, and to evoke reflection and emotion is what makes his art not only unique but essential. In the vibrant strokes of Giora Carmi’s art, we find a powerful reminder of the beauty of introspection, the value of stillness, and the profound depths of our own inner landscapes.

By Marta Puig

Editor Contemporary Art Curator Magazine

Pain jazz; 2024; Watercolor, gouache & pencil on handmade paper; 21.5 x 21.5 cm;

Shine, says the sun; 2024; Watercolor, gouache & pencil on handmade paper; 21.5 x 21.5 cm

As if light itself; 2024; Watercolor, gouache & pencil on handmade paper; 21.5 x 21.5 cm

Inner wants; 2024; Watercolor, gouache & pencil on handmade paper; 21.5 x 21.5

You; 2024; Watercolor, gouache & pencil on handmade paper; 21.5 x 21.5 cm

Thin air; 2024; Watercolor, gouache & pencil on handmade paper: 21.5 x 21.5 cm

Never looking with his eyes; 2024; Watercolor, gouache & pencil; 21.5 x 21.5 cm

Fire; 2024; Watercolor, gouache & pencil; 21.5 x 21.5 cm

Doing nothing; 2024; Watercolor, gouache & pencil; 21.5 x 21.5 cm

Pain 042424; 2024; Watercolor, gouache & pencil; 21.5 x 21.5 cm

Howard Harris

Howard Harris

Stefano Paradiso

Stefano Paradiso