At the core of Ferry Benjamin’s practice is his mastery of the manual plasma cutter. This industrial tool, traditionally reserved for heavy manufacturing, becomes in his hands an instrument of sublime precision and expression. Benjamin cuts through dense steel with the dexterity of a painter wielding a fine brush, transforming the unyielding material into intricate lattices that mimic organic forms. The result is a body of work that blurs the line between the natural and the industrial.