Vaydra Wright

Biography

'Hovering Above The Surface Is Her Creative Tool'

Vaydra's mind travels through a world of imagination that transcends time.

Since her early days as a child, her mother has been the major influence on her work; a single unit of security within a world full of evil and vices.

Vaydra grew and matured, and she found my creativity and style. Through the analysis of patterns and downward spirals, twisted turns, and upside downs, She was able to extract an artistic representation during my transcend experience.

Vaydra deems her own work to be defined by inner inspiration rather than external art teaching influences. Focusing on feelings is essential for Vaydra's style technique. Her emotions drive her attention to past triggers by perturbations or excitement. Redirecting her work around human expression and spiritual transportation. She internalises her thoughts before releasing or shifting her energy on to a blank surface. Vaydra challenges contemporary processes by constructing and experimenting with media. Vaydra topics are timeless journeys such as the meaning of death and afterlife, trauma in the body and mind, impact of internal forces and external environment in order to communicate from a creative perspective. She has developed her own signature art style. Her application of human creativity, skill and imagination is endlessly and timelessly.

Vaydra has the utmost admiration for Leonardo Da Vinci, Michelangelo Merisi da Caravaggio, Vincent Van Gogh, Salvador Dalí, Rembrandt, Michelangelo. She is inspired by their technique and their personal traits.

Artist Statement

Later in life, Vaydra consolidated her experience and long-lasting enthusiasm for working with a variety of inventive media. Her introductory work began with traditional examples as she moved into the cutting edge of fine art, contemporary surrealist from computerized scratched, three-layered work and mixed media. In order to manage changes, she uses a manual method of trial and error with materials and substances.

Vaydra’s creative processes are often centered around a transcendent or emotional experience arising from a mental pulverization of pain, discomfort, deceiving and restlessness. She begins with a fresh canvas while having little or no subject matter only handling in paint splatter, her imaginative work creates a foundation. Vaydra moves rapidly with wet into wet strokes, combining the mix of colours and man-made substances to blend into a paste and form a texture blob. It is a component of two-layered and three-layered plans that rouses the Artist to feel the advancement. At the same time, Vaydra had internal battles with the cycles and creation result, she might imitate the first structure. She reflects on the scientific perspectives, i.e., the ability to experiment with both nature and man-made substances simultaneously. It is here where Vaydra considers the two distinct disciplines as one, to find something new and imaginative, and to test and prove in forward processes and to predict. She acted less magnanimously, less concerned how her movements brushed over the layers. With comparable qualities, Vaydra became strongly associated with the development, related with the artistic manipulation of light and dark. The work effort is to control the composition at the point of convergence, contingent upon a separate proportion of the shade of her colour with nature and man-made substances. Her work was able to drastically change the orientation on itself after installation.

Her interesting technique method permits her to paint in a unique skill set while aiming for a mental achievement and critical change, that life is a horrid cycle. Vaydra hopes to achieve a magnificent balance: while advancing significantly beyond traditional examples of composition. It seems as if she often peels back the layers of her work in order to reveal its underside. Her aspirations are redirecting significant work to produce a scene for others to infiltrate their own eyes, in addition to hers. Her accomplishments are manifest in identifying: Does the composition need to convey a certain message or, perhaps more importantly, does the creative mind get taken into consideration. Words are a skin that must be peeled back to reveal the inner workings and its own sense of emotion.

Country Australia

Website www.ladyvaydradesigns.co