Painting is for me a performative act in which the canvas itself becomes the extension of the body. I intend to use colours, lines and shape in a way that is not pre-defined but open to the unexpected. In my art and painting, I create a space for liberation.
Pilbri - Britta Neumärker is a singular voice in contemporary art, meticulously dismantling visual façades to reveal the undercurrents of human experience. With a career spanning over two decades, she employs painting and photography as a means of excavation—unearthing the tensions between the seen and the unseen, the personal and the collective, the ephemeral and the eternal.
Mother Nature is my master! “I paint what is between her and me. Without rules, LIBRE!
I paint the invisible, the air, the wind, the light, the music of the earth. They are the colorful caresses of my heart"
In my art, I strive to capture the complexity of human existence through a balance of realism and symbolism. My work is an ongoing exploration of beauty, emotion, and spirituality, encouraging viewers to reflect on their deeper connections with the world around them. I believe that art transcends language and cultural barriers, offering a universal means of communication.
I learned traditional Eastern and Western papermaking techniques, pulp painting, collage, and printmaking. While having technical and historical knowledge is valuable, possessing it doesn’t mean you have to apply it. I prefer to explore various old, new, or alternative methods to achieve my desired outcome. Understanding traditional techniques provides a solid foundation for experimentation and creating works that inspire me.
Alex Funes Lovis is a contemporary Mexican artist whose work transcends aesthetics to become a channel for healing, consciousness, and transformation. With over 25 years of experience, he has developed a unique style that merges sacred geometry, numerology, color theory, and mystical symbolism. His art not only beautifies spaces but also harmonizes them energetically, acting as vibrational portals that impact those who encounter them.
"Taking inspiration from the figure of the apple and using its shape as a constructive basis, I then modified the aesthetics of each of the proposed apples, obtaining a sort of colorful portrait of a society with a common morphology and a different culture, my intent is that everyone can accept their own uniqueness" In my sculptural work, the apple symbolizes self-acceptance and the uniqueness of each individual.
- art has nothing to do with ideology, policy, religion, every day life, society, context -
My painting is indeed spontaneous. I never start with a sketch. I start to paint on a blank white canvas, primed with several layers of white gesso. And then shape, form, and movement starts to emerge. I am so focused that I don't notice the noise of life passing by on the village street that runs next to my studio. What I am trying to capture is the mood or energy that I find in myself at that moment.
For me Art doesn't exist if one counts the time spending for the creation process. It is not about hours, minutes and seconds. It is about emotions, in search of the infinite detail and perfection, being spontaneous with mind and heart. Understand and to make only one with the universe. This is called "The Spirit of the Thing".
Melina Finkelstein is an Oakland-based geometric painter and rug designer who paints bold patterns on fabric and wood, weaves tapestries out of old paintings and collaborates with weavers and felt makers in Mexico and Nepal to make one-of-a-kind custom rugs under the labels Peace Industry TM and Casa Muñiz Design.
Through his brush the artist highlights beautifully the unique nature of Albanian scenery. Light in his tableaux pours in from invisible sources and spreads following a special code where colour takes priority. Under Pecani’s brush colour sticks solidly into canvas, at times giving the impression of the bas-relief or a structure in motion
Art is a very beautiful and important thing that educates us and makes us appreciate aesthetics. It is a state of mind, it is the way we look at things and look for beauty and harmony in everyday things: in a flower or in a sky or in the smile of someone you love, and this should be able to belong to everyone.
Jon Neal Wallace stands as a testament to the transformative power of education and personal vision in the realm of art. His journey began at the Academy of Art College in San Francisco, an institution that laid the foundation for his artistic endeavors. Wallace’s educational path took a unique turn when he merged art with physics at Vermont College of the UI&U in Montpelier, Vermont.
Analog art remains the foundation of cultural heritage. We strongly believe it should not disappear in the digital age but rather find new ways to thrive while maintaining its authenticity. SYNART provides universal mechanisms that allow artists and collectors to seamlessly engage with traditional art in a digital environment.
And just as it is said that a purple cloud appears in the distance after a person has taken the opportunity to depart, I too hope to be guided by an invisible hand to depart on a certain dimension. My daily creative work is part of that process.
Place to the imaginary, on the border of figuration and abstraction so that reading is not immediate. Nothing must be given to see without a part of ambiguity and mystery. The speed of execution is part of this process: it is the love of the sketch and the unfinished. The ephemeral instant of a world in eternal change.
Art can penetrate deeply into one’s mind, generating different opinions and understanding. My main objective is always to create something meaningful and beautiful, a piece of art that can inspire, bring happiness, and at the same time, positively captivate the public’s attention.
My passion for art has always revolved around beauty, not just in people and places, but also in shapes and colors. With my technical approach to painting, not being certain of the results yet still being driven to produce them is what makes the effort of creation so captivating.
My paintings refer to reality, but they are not meant to be exact. Rather, the paintings represent themselves. They express the mere love for life which I have experienced during my observations. I use color arrangement, positioning of lines and surface texture.
