Chan Suk On’s artistic journey and her series Loose Pieces represent a critical shift in contemporary conceptual art. With a background in photographic design and fine arts, Chan Suk On has managed to traverse the domains of documentary photography and conceptual art, carving a unique niche in the global art scene. Her work, meticulously constructed from discarded film camera parts, embodies a complex interplay of nostalgia, reinvention, and the materiality of forgotten objects. This essay explores the reasons why Chan Suk On’s art deserves admiration, her position within the art world, and the deeper conceptual frameworks that underpin her practice.