All in Painting
When one begins a painting, there are an almost infinite number of possibilities open to the artist thanks to the researches in art of the last century. It seems to me that in this century people are intent on narrowing down the options for the artist until his or her life is made nearly impossible. Art is more than a commodity; for some it is a way of life, for others it gives release from the stresses of the everyday or offers a form of therapy.
My paintings are numbered chronologically to remind us that they constitute a journey and a family. Each painting is a journey or a thought, it is named and commented on. I want each painting to be the repository of beneficial energy.
Maria Esmar is an accomplished visual artist celebrated for her abstract and expressionist works that blend a unique eclectic vision with deep emotional resonance. Hailing from Romania, Maria’s artistic journey is grounded in a strong academic foundation, holding a degree in Fine Arts from Tibiscus University and completing her formal training at Fine Art College. Her craftsmanship in architecture further informs her approach, lending her works a sense of structure amidst the fluidity of abstract expressionism.
I am a French listed and certified Professional Abstract Painter living and working in Paris since 2009. I started painting at 7. I started painting figurative watercolors but I have specialized through the years in atmospheric, symbolical, expressionist, and lyrical abstract art. I usually paint in acrylic and ink. My main source of inspiration: the concept of and pursuit of FREEDOM from this world, led by a spiritual quest.
Sarah Michel Zeichnungen's oeuvre is a contemplative dialogue that transcends the medium of ink on paper, offering viewers a deeply philosophical and resonant visual experience. Her work stands out in the contemporary art scene, not only for its unique aesthetic and technical finesse but also for its layered engagement with themes of belonging, resilience, and the metaphysical intertwining with the natural world.
Katinka Lampe paints portraits. Or at least, you can clearly recognise the representation of a person. Yet, this is not the main motive of the painting. The portrait merely serves as reason to make the painting. The portrait is the imagery concept. Her paintings greatly appeal to the beholders.
My name is Ernestine Haidenkummer, I am an Austrian artist and live in the city of Kapfenberg in Styria. In 2006, as a self-taught artist, I discovered my love and passion for painting. I paint everything I like, from abstract to representational, from portraits to erotic pictures and I love painting cubism pictures in my own style and the black and white checkerboard patterns in my pictures have now become recognizable. I am also involved in sculpture construction.
She has had numerous solo exhibitions and joined group exhibitions in her home country, Italy, Germany, Portugal, Austria, the UK and the USA. She has also participated in art events such as The Florence Art Biennale, the London Art Biennale, The Art Expo New York, chianciano Art Awards, etc.
"Everyone is an artist, sometimes, even without knowing it." I use these words to describe my life and my free spirit in a few words. I am Marco Grechi, aka Mark, and in everyday encounters I look for what is beautiful and makes life lighter.
My digital art images reflect my fascination with the beauty of colors and the moods and emotions they evoke. Highly stylized cityscapes and seascapes are subjects I often turn to for their vibrance and dynamic atmospheres. Creative layering of the original photography, colorful elements, rich textures and other effects allow me to add complexity and a depth to my art.
Whatever I see, listen to and feel infiltrates into my inner world and turns up later in my pictures. My wish is to convey joy and happiness to the people or in other words simply to make their life to be more beautiful.
Even in my early works, I was looking for a way to reach all people in the world with my thoughts, which I only managed with a figurative representation, because abstract painting meant Christ and salami with the same image and only confirmed the viewer's world of thoughts. My painting could not be limited to figurative painting but could not be inferior to the freedom of abstract painting. I also considered the surreal style, but it goes far in the direction I want to take people, but not quite there. So, I looked for a solution, which I found in symbolism.
Fine artist Celeste Friesen grew up in Winnipeg, Canada and has lived in various places across Canada and the USA. Following a business career, she located to the north-eastern tip of Cape Breton Island, Nova Scotia, Canada. It is a spectacular setting which provides much inspiration for her paintings.
Raymond Quenneville is a self-taught artist who has been painting for over 50 years. In 1992, after having explored a variety of media, he went back to oil painting, and decided to pursue his own unique style in expressing landscape and light.
In my art, the interplay and exploration of the boundaries of what belongs to being human is a personally important theme for me. our way of tee I try to counteract this often senseless activity through my actions. our careless treatment of nature and creation are my driving forces and my innermost need to express this in the most diverse forms
Aase-Hilde Brekke's works embody a synthesis of geographical identity and spiritual exploration. Raised in the village of Misvær in Nordland County, Norway, Brekke’s early connection to the raw, imposing landscapes of the North profoundly informs her artistic sensibility. Her photographs, such as those in the "My Power Mountain" series, resonate with the Nordic sublime: stark horizons, muted tones, and the pervasive silence of nature’s immensity. Yet, her art does not merely document the natural world. It refracts it through the lens of personal memory, spiritual inquiry, and cultural symbiosis
Rita Schoonmaker’s work is an important contribution to the contemporary art scene, not only for its aesthetic qualities but also for its philosophical depth. At a time when abstraction often risks becoming formulaic, Schoonmaker’s work feels fresh and deeply personal. Her commitment to exploration and her refusal to settle into a single style or theme ensure that her work remains dynamic and engaging.
RIKXECOM’s oeuvre emerges as a luminous jewel in the constellation of contemporary art, fusing the tactile with the visual and carving out a philosophical niche that resonates deeply with viewers. In the tradition of groundbreaking modernists such as Gustav Klimt, whose shimmering golden mosaics revolutionized the visual language of the early 20th century, RIKXECOM takes the aesthetic and material experimentation of his forebears into the digital age, embedding layers of narrative, emotion, and exploration into his textured, radiant surfaces.
Nora Komoroczki, who paints under the name Mano, emerges as a singular force in contemporary art, combining technical mastery, philosophical depth, and an intuitive connection to the natural and human world. With over four decades of experience as an oil painter, the Budapest-based artist’s body of work reflects a dedication to the exploration of light, memory, and environmental stewardship. Mano’s oeuvre positions her as both a guardian of tradition and a beacon of innovation within the art world. By interweaving her artistic sensibilities with a profound ecological awareness, she offers not only beauty but also a poignant message about the fragility and vitality of life on Earth.
Hudson Bruny describes his artistic journey as one that "transcends the confines of form and time," an aspiration that is richly apparent in his work. Each painting and drawing becomes a metaphysical endeavor, diving into "the impenetrable to grasp the impossible." His art invites viewers to a realm of "nothingness," but not in the nihilistic sense. Instead, Bruny’s abstractions gesture toward potentiality—a fertile nothingness from which new ideas, emotions, and social dialogues emerge.
